Tuesday, September 1, 2009

Rock and Roll in Retrospect - The 2000s

Is it just me? Or has this decade been pretty much terrible for Rock and Roll? I feel like, for the first time since its inception in the 1950s, Rock N' Roll has failed to produce anything truly revolutionary to define this decade.

Cases in point:

The 1950s saw the birth of rockabilly, and that classic 50's be-bop kind of rock that started it all. Elvis Prestly, Fats Domino, Chubby Checker, The Big Bopper, Buddy Holly, Bill Haley and His Comets, Ritchie Valens, The Dave Clark Five and the like - the originators of the sound that would forever go on to be called Rock and Roll.

The 1960s saw... well, The freakin' Beatles! But also acts like The Rolling Stones, The Grateful Dead, Jefferson Airplane, The Velvet Underground, The Doors and Jimi Hendrix. These artists paved the way for the Free Love, Psychedelic, Hippie rock that would lead to the decade's swan song concert experience, "Woodstock".

The 1970s saw the rise of acts like Led Zeppelin, Aerosmith, Black Sabbath, Van Halen, The Eagles, James Taylor, Queen, Elton John, Billy Joel, and Pink Floyd. New brands of music came into being, like Funk, Disco and Motown.

The 1980s saw the rise of New Wave, The New Romantics and Synth Pop. Michael Jackson, U2 and Madonna rules the airwaves, while young metal acts like Metallica and Megadeth also paved the way for thousands of future "metal" bands. And in between were the 80s hair-metal bands like Poison, Bon Jovi, and Motley Crue.

And the 1990s gave us Grunge and Alt-Rock! Nirvana, Pearl Jam, Alice in Chains, Stone Temple Pilots, Soundgarden, Red Hot Chili Peppers, Green Day, Smashing Pumpkins... and the post-grunge era with Everclear, Live, Beck, No Doubt, Counting Crows, Ben Folds Five and Garbage. There was also quite the British invasion with bands like Oasis, Radiohead, and Blur.

But now... as we are about to close out the first decade of the new millennium, what have the 2000s given us? If I had to name something that happened for rock in this span of time, I would have to say that Indie Rock has had the best years here. Perhaps this is due to the ravaging of the giant record publishing companies at the hands of the Internet and programs like Napster and other Peer-To-Peer file sharing programs that gave millions of young people access to free music, legally or otherwise. And in the aftermath, up came the sounds of indie labels who had never had a towering infrastructure to begin with, and therefore did not crumble in the face of emerging technology. Successful Indie Rock bands might include Jet, The Libertines, Arctic Monkeys, Bloc Party, The Strokes, Kings of Leon, The White Stripes, Snow Patrol and Interpol.

Still, many bands had an amazing decade. Acts like Coldplay and Linkin Park raked in their millions along side old arena staples like U2, Bon Jovi, The Rolling Stones and Madonna.

Nickelback, Creed, Foo Fighters, Hinder, Seether and 3 Doors Down all seemed to continue to carry the dying flame of post-grunge alt-rock into the new decade, with varying success. Green Day arguable led one of the only real revolutions - that of the Pop Punk movement (or what I would call Bubble-Gum Punk) - with newcomers Blink-182, Yellowcard, All Time Low, Hit the Lights, and Every Avenue forging ahead. The other major movement could be called Emo Rock - categorized for its whiny, confessional, melodramatic lyrics and vocals. Emo bands that really "made it" this decade include Dashboard Confessional, Hawthorne Heights, Taking Back Sunday, The Used, Fall Out Boy, My Chemical Romance, 30 Seconds To Mars and The Plain White Tees.

Nu-Metal, a leftover afterthought from the late 1990s, saw a rise in popularity with bands like Evanescence, Linkin Park, System of a Down, Staind, Papa Roach, and Disturbed, although in my opinion, it never fully materialized with any bands that could be called the true leaders and definers of this sound. An odd blend of New Wave/post-punk/synth pop emerged in the later years of the decade with acts like Franz Ferdinand, The Killers, The Bravery, Bloc Party, Metro Station, Justice, The Veronicas, Lights, The Postal Service, Kasabian, Hellogoodbye, Owl City, and MGMT. And I won't even get into the dark and bloody mess that is "Metalcore" or "Post-Hardcore".

This is all excluding the terrible pop acts (Britney Spears, N'SYNC, The Jonas Brothers, Avril Levine, Ashlee Simpson, etc.) and the uproarious swell of popularity in Hip-Hop/Rap/R&B acts (Eminem, OutKast, T.I., Kanye West, Ja Rule, The Game, 50 Cent, Nas, Jay-Z, DMX, Missy Elliott, Lil Wayne, Young Jeezy, Ludacris, Rick Ross, etc.) Hip-Hop/R&B was undoubtedly the winner in the music industry this decade.

But what, then, did the 2000s do or Rock and Roll? Sure, I was able to mention about a hundred acts that made some waves over the past 10 years, but what did it all amount to? Nothing, in my opinion. It was all very, very derivitive of the major steps in rock that were taken many years before. Most of it was based on the major acts of the 90s - rock didn't actually change all that much... it just kind of echoed into the future. For the first time ever, I feel, there is no clear and obvious statement being made in rock and roll for this decade's new generation of musicians.

I don't know what that means exactly. Maybe, if anything, it's a statement in and of itself, that this generation doesn't know what to say. The don't know who or what they are or where they're headed. In a post-9/11 world, they don't know how to define themselves at all. Perhaps all this muddled composition of styles is exactly an expression of that sentiment - of fear, loss of faith and of identity crisis. And, in my opinion, this statement taken from a Wikipedia page says it all; "New York City, once the leading market for the format, has no modern rock station as of mid-2009."

Overall, I'd say the best rock and roll acts to come out of the new millennium are easy to spot, and if I had to call them, I'd say it was these acts:

Coldplay
The White Stripes
The Killers
Fall Out Boy
Linkin Park
Muse
and Keane

(I'd also have to throw John Mayer in there for his amazing blues chops)

Here's to hoping that the 2010s will see a revival and a new revolution in rock music that the whole world can get behind.

Monday, August 31, 2009

Saddest Movie Moments

For absolutely no reason in particular, I've decided that I've reached the point in my life when I must take a few minutes to decide what I think are the ten saddest moments in movie history. Of course, this list is subject to limitations based on what I have and have not seen. And I'll be honest, I'm just not even going to consider Schindler's List - it's not fair to the other contenders. The whole movie is miserably sad - I could never pick just one part.

So here we go. Tell me what you think.

10. DUMBO - 'Mad Elephant'


9. CASABLANCA - "Here's lookin' at you, kid."


8. I AM LEGEND - "Every little thing's gonna be alright."
(Embedding was disabled, so just click here.)
7. ARTIFICIAL INTELLIGENCE: A.I. - "I'm sorry I didn't tell you about the world."


6. BAMBI - 'Bambi's Mother'


5. THE NEVR-ENDING STORY - 'The Swamps of Sadness'

4. SOMETIMES A GREAT NATION - 'Loggers'


3. THE GREEN MILE - "Killing What They Love"

2. E.T. - "I'll be right here."


1. CAST AWAY - "Wilson, I'm sorry!"

Monday, August 24, 2009

Facebook Is Killing My Blog

Ever since Facebook reared its attractively ugly head, the frequency with which I create new blog posts has dropped considerably. Apparently, I have neither the time nor the inclination to write out a dozen paragraphs about anything anymore - not now that I've learned to express my thoughts in short bursts and blurbs. Twitter has taught me how to do it in 140 charachters or less! For this, to all my many fans, I must apologize - even though you're probably all following me very closely on YouTube, Facebook, Twitter, MySpace, AIM, YahooMessenger, Linked In, and my many other venues of pointless communication.

I'm not sure why this is. I can be fairly long-winded when need-be and my assumption is that it's entertaining to you all. After all, you are reading this right now, aren't you? (GOTCHA!) But I think it has something to do with the fact that I get instant feedback from Facebook, and not so widespread or frequent feedback from Blogspot, even when I write really controversial blogs! Feedback seems to fuel the creation of opinionated ramblings more than the personal satisfaction of having a finished blog. It's the interaction that I seem to crave, and thus, Facebook has become my new drug. But if I could somehow fuse the two beyond the simple act of posting my blog posts in my Facebook status update section, then perhaps the craft of blogging may make a personal comeback in my online life. (Here's hoping that Facebook will create "Faceblogs" or something like that.)

Saturday, July 4, 2009

'Moneyball' Down The Drain

A friend of mine, Louis Pantelakos, Jr., shared with me today an article from a Los Angeles Times blog about the recently-eighty-sixed baseball movie, Moneyball, based on the best-selling book of the same name (Moneyball: The Art of Winning an Unfair Game) by Michael M. Lewis, published in 2003.

News has been wide-spread of late about the plans to adapt the book - a story about Billy Beane, the Oakland Athletics baseball team's general manager, and his rebellious-yet-successful approach to the business of the game - into a feature film, starring Brad Pitt as Beane and directed by Steven Soderburgh (
Ocean's Eleven, Out Of Sight). But even more recently, the bombshell was dropped that Sony Pictures Entertainment - a mere 5 days before production was to begin in Arizona - pulled the plug on the $58 million project.

Louis sent me the article, which discusses the reasons behind Sony's unconventional cold feet, and asked me to tell him what I thought when I was done reading it. Here is my reply:

Honestly, I'm not a huge Soderburgh fan. Out of Sight was great and all, Sex, Lies & Videotape was too. But, well... he's just not really my kind of director. I think there are a lot of guys out there who could direct this flick, but with Pitt getting a deal of director approval in his contract, it may be hard to find anyone. But that's a great argument for the opinion that Sony may very well be better off without him, too.

I like the A's - that's all. I just want a movie to be made about my team - my classic early 2000's Oakland A's. I think almost any director worth his salt could make a good flick out of this seemingly terrific script. (Hopefully it will leak out on the Internet and we can at least read it someday.) Maybe Billy Beane would be better played by a smaller-scale star. I know that Pitt is a huge draw for the project, (he'll bring in millions that few others could,) but it wouldn't be impossible without him.

Who else could play Beane? Hmmm... I really like Sam Rockwell. Or perhaps Christian Bale could pull it off. (I'm thinking box-office draws here as much as I am performance - "curb appeal" is pretty important for a smaller flick like this.) I think even someone like Ryan Renolds could be good. You know who would be great and is getting really hot right now? Bradley Cooper! That guy would rock a role like this! Could make him a mega-star!

And as far as directors, I think almost anyone from Allen to Zemeckis could do a decent job with this flick. Hell, Ridley Scott did stuff like Matchstick Men - he could do it. So could Gore Verbinski with films like The Mexican and The Weather Man under his belt. And I loved the way Oliver Stone tackled football with Any Given Sunday - let him take a swing at baseball!

All I want to see is my home team's stadium - The Oakland Colosseum - immortalized in all its grime and glory on the big screen with a good story. I want to see that "Green & Gold" shining down at me, 30-feet high, and a chance to show my kids - someday - a good film about the glory days of their old man's favorite baseball club.
That's my two cents. Thanks for reading, and...

LET'S GO... OAKLAND! (BOOM! BOOM! BOOM-BOOM-BOOM!)

Saturday, June 27, 2009

KING OF POP - In Memorium

On Thursday, June 25, 2008, the man who was my biggest childhood icon died a very sudden, yet-somehow-not-unexpected death. Michael Jackson was born a human being on August 29th, 1958. But somehow along his rise to stardom, he graduated from mere mortality and became not only "Bad" and "Dangerous," but "Invincible." Yesterday, the man died. But the image, the icon and the legend that is MICHAEL JACKSON will live forever.

I wanted to share with you a few of my favorite and most memerable Michael Jackson moments of my younger days, because it would seem that most of the saddness I feel today is actually a reflection of the part of my youth and innocence that died yesterday along with His Majesty. Here it goes:

1986 - Rollerskating to 'Thriller' in the garage with my sister and the girl next door, Catherine.

1991 - Riding bikes with my cousin, Brian Rafter, either in San Ramon or in Palo Alto, while syncing our “Dangerous” cassette albums on our Walkmans.

1992 - Playing basketball in Palo Alto with cousin Brian and some neighborhood guys while blasting MJ's "Jam" on the boombox, as inspired by the music video.

1991 - The Simpsons, Season 3 season premire, which aired on my 11th birthday, entitled "Stark Raving Dad," in which Michael Jackson visits Springfield... sort of. (Despite legal issues that forced Fox to credit the voice of the character as "John Jay Smith", Michael actually voiced the character himself, minus the singing parts.)

1992 - Dubbing a cassette tape with 'Bad' on one side and 'Dangerous' on the other with help from my other cousin, Kevin Rafter, on the same day that Brian and I got bad sunburns at a water park and came home and fell asleep for hours listening to both albums.

1987 - Buying the “Bad” album on cassette tape from the Stoneridge Mall with my dad a few days or weeks after it had been released. My dad offered to pop the tape in the car's cassette player and we listened to the opening track, "Bad", but I was too embarrased to continue playing the tape because I didn't want my dad to hear me listening to the slightly suggestive love song that is "The Way You Make Me Feel."

Circa 1986 - Trying to decipher some of the more confusing lyrics to the song 'Thriller' with my friend Jimmy in my backyard.

2001 - While at a Giant's game at Pac Bell Park (now AT&T Park), I heard "Wanna Be Startin' Something" blasting over the PA system, and for some reason, even though I'd heard it about 500 times before, it felt like it was the first time I'd ever heard the song. The crecendo at the end with the chorus of "Ma ma se ma ma sa ma ma cu sa!" blew me away. The same year, I saw Chris Tucker do an amazing MJ impression to the same song in Rush Hour 2, and I gained a whole new appreciation for the song.

1991 - Staying up late to watch the premiere of the new video for 'Black Or White' on Fox after The Simpsons.

1992 - Playing the 'Moonwalker' video game with my cousins Sean and Brian.

1989 - Watching the 'Moonwalker' movie for the first time with my friend down the street, Chad.

2003 - Jamming on the new (last) Michael Jackson album, “Invincible”, in college with my roommate, L.J.

1990 - Knowing in my heart, more than in my brain, that Michael Jackson was behind the brilliant single, "Do The Bartman" from "The Simpsons Sing The Blues" album.

1993 - Blasting the 'Off The Wall' album in my room with my cousin Brian as if we had always listened to disco albums.

My favorite memory, however, is not a single moment, but the countless hours I spent alone in my bedroom as a child; just me and my tape player; just me and my friend Michael. He kept me company for much of my youth through his music, his lyrics, his energy, his image, and - much deeper and most importantly - his "voice."

Thanks for all the good times, Michael. I'm really going to miss you.

Saturday, June 13, 2009

My first PODCAST!

Look at this! I got to take part in my friend Morgan King's Arcbound Podcast today! We talk about all sorts of junk. Enjoy!

Click here to listen: PODCAST
(Or right-click and select "Save Target As" to download the file.)

Sunday, May 3, 2009

THE GREATEST FILM SEQUEL OF ALL TIME

THE DEBATE RAGES ON!

A recent Facebook post has sparked a bit of a debate, so... please vote (to the right) for your favorite sequel film of all time.

(note: To simplify the argument, I am defining "sequel" here - for our purposes - as the second movie in a series, and not the third, fourth, fifth, etc. And I'm only listing the movies I'm listing, so you gotta pick from that list.  Deal with it.)